Published Sept 12, 2015 by Verdensalt
I'm such a romantic soul.....There are so many movies out there that 'kinda' defies Hollywood/Illuminati's trend of most overbaked Clichés - psychological subliminal messages and censorship, to say at least... Romantic movies, though, still have a happy ending story.... however, that's what we really want, right? Besides the romantic storyline, everyone who knows Hawaii (City Of Light - Hana, Hanae, means Heavenly Joy) understand the significance of spiritual sacred place... like the mystic earth's energy was sacred ... Mount Shasta, CAas well as Sedona, AZ...... like the flick 'Aloha'
Anyways... from the very beginning of Aloha, Hawaii is painted as a magical, spiritual place. Tracy's son, Mitchell, repeatedly brings up the Hawaiian legend of Lono (characterized in the movie as a playful god) and Pele (a goddess of fire), and how their interplay leads to birth and rebirth. Mitchell believes that Brian may be Lono—a force who'll upend all their lives and put everyone on a new path (for better or worse).
Ng, who constantly brings up the fact that she's one-quarter Hawaiian, talks about the spirits of the land. When a window blows open, disturbing a military party, she credits the action to "Hawaiian leprechauns," who are said to come in with the wind. Driving at night, she and Brian come across the "Night Marchers," thought to be ghosts of ancient warriors. Ng tells Brian to stop and look down, because looking at the spirits (if you're not Hawaiian) means death. She and others talk about the sacredness of the earth, the sky and the bones of ancestors.
While on the island, Brian must facilitate a sacred ceremony, wherein a new graveyard can be consecrated under the eyes of local gods … but of course he himself doesn't believe in these island spirits. "Tell me you don't believe that the sky has the answer to every question," he says to Ng, and insists the Night Marchers were a reenactment of some sort. "I salute your elaborate system of denial, sir," Ng says.... I really love this movie.....link
Movie by Christopher Nolan's titled 'Inception' evokes deep traces of symbolism, mystery and future aspects of multi-dimensional partial worlds.....
If I had to put into words 'Interstellar', it would probably be trying to show the world in a post-apocalyptic condition where lack of food forces people from Earth into space, i.e. a state of the earth's impending doom. There is still a focus on the human drama about family the father of Matthew McConaughey figure who must leave her children to save the world, he believes. In return, Nolan here screwed seriously the visual buttons and displays both our planet and the universe around it in a grandiose overwhelming aesthetics. However, it seems that Nolan is out in more classical, epic storytelling than Alfonso Cuaron (Gravity) was with his existentialist space history... read more (danish).......
